AI Influencer Generator
Create an AI influencer of your own
Pick one of 9creators who are already cast, or describe someone nobody has met. She's a consistent AI character — one face, one voice, every episode. EaseReel's AI influencer generator locks her before anything is filmed, so episode twelve is still the same person.
10 credits on signup, no card. Planning an episode costs none of them.
9 already cast — or one nobody has met
Tap a face. Everything you see is what ships — the persona, the reference sheet her episodes are rendered against, and the three days she is ready to film today. The last tile is the other door: describe someone instead, and she is built the same way these were.
Sofia
soccer player
In production
In a football club's academy, waiting on a trial that keeps not being mentioned
Days she is ready to film
- “Match day — I'm starting”
- “New boots arrived, breaking them in today”
- “Away game: four hours on the bus, and I'm taking you”
Elodie
student
In production
Last year of college — finals, the dorm, the walk across campus in the cold
Days she is ready to film
- “Last exam this morning, then I'm free”
- “Taking you to my favourite spot on campus”
- “Moving into a new room today”
Nia
actress
In production
Just cast as the lead in her first film — press days, fittings, and nobody knows her name yet
Days she is ready to film
- “Camera test today”
- “First fitting for the film”
- “Table read this afternoon — meeting everyone”
Isla
dog mom
In production
Lives quietly with a white whippet and films the two of them at home
Days she is ready to film
- “His new bed arrived, showing you the unboxing”
- “Long walk down to the river, just us two”
- “Making him a birthday cake today”
Yuna
flight attendant
In production
New cabin crew — short-haul turnarounds, layovers in cities she only sees at night
Days she is ready to film
- “Flying to Tokyo today, back tomorrow”
- “Layover — going out to see the city”
- “First day on a new aircraft, showing you the cabin”
Giulia
heiress
In production
The family money is hers to manage now — the houses, the table, the people who came with it
Days she is ready to film
- “Opening the house for the summer”
- “Dinner at the vineyard tonight”
- “Choosing what to wear for Saturday”
Camille
baker
In production
Opened a corner boulangerie with a loan she is still paying off
Days she is ready to film
- “Four in the morning, first batch of the day”
- “Trying a new pastry today”
- “Someone ordered a whole wedding's worth of tarts”
Mateo
model
In production
A commercial print model — a different brand, a different studio, most days of the week
Days she is ready to film
- “Shooting a campaign today”
- “Fitting this morning, shoot this afternoon”
- “First meeting with a new agency”
Theo
movie star
In production
A film star at the height of it — premieres, press tours, and no anonymous days left
Days she is ready to film
- “Premiere tonight”
- “First day on set — taking you with me”
- “Choosing a suit for Saturday”
The ideas you gave up on, and who films them
Most content ideas do not die because they were bad. They die because the person who had them cannot get into the room.
“Flying to Tokyo today, back tomorrow”
You would need a cabin crew job and an airline that allows filming. Yuna does it today, and again next week.
“Premiere tonight”
You would need to be famous first. Theo does it today, and again next week.
“Opening the house for the summer”
You would need the house, the vineyard and the people who came with them. Giulia does it today, and again next week.
An episode like these costs about 151 credits. Nothing before the render costs anything, so you read the whole thing first.
Why she is still the same person in episode twelve
1. The face is decided once, as a picture
Not as a description that gets re-interpreted every time. A five-panel reference sheet is generated before anything is filmed, and it is what the renders are anchored to — the plates above are the real ones.
2. Outfits are not chained to each other
What she wears is the point of a creator channel, so each look is built against the face rather than against yesterday's outfit. Chaining them is how a character drifts a little every episode until she is someone else.
3. She is alone, and she is talking to you
One person, first person, straight down the lens — and she asks you things. That is the format, not a style setting: it is what separates a creator from a narrated slideshow.
How to create a consistent AI character — three things that actually work
Everyone asks how to make an AI face that stops changing between clips. Most of the advice is lora this, ComfyUI that — tools, not a method. Here is what actually keeps the same person looking the same.
What people do with a creator like this
A virtual influencer is only worth building if she keeps showing up. These are the three reasons people build one.
A channel of her own
Vertical, captioned, and the right shape for TikTok, Reels and Shorts without recutting. A face people recognise in the feed is the whole asset — which is why the consistency above is the product rather than a feature of it.
Ads in a creator's voice
The AI UGC creator job: one person, straight to camera, talking about a thing they use. Same presenter across a whole run of variants, without booking anyone or reshooting when the copy changes.
A face for a brand
A shop, an app or a newsletter that wants a presenter and does not have one. She is available on a Tuesday, she does not age out of the brief, and she is the same person a year in.
What she may say is bounded either way — an opinion is fine, a claimed qualification never is. That rule is enforced where the episodes are written, not left to you.
Questions before you cast someone
Can I use one of the creators on this page, or do I have to describe my own?
Either. The nine here arrive finished — a written persona, a face, a five-panel reference sheet and three example days each — so picking one costs nothing and waits for nothing. The custom door asks three things: what she does, a skin tone, and one paragraph describing her. Both routes produce the same kind of channel.
What actually stops the face changing between episodes — is this a consistent AI character generator?
Yes. The reference sheet is generated once, and every shot afterwards is rendered against it on an engine that can carry the same subject from shot to shot. It is not a filter applied at the end and it is not the model being asked nicely — the sheet is a real input to every render, which is why episode twelve looks like episode one. That is exactly what a consistent AI character generator is supposed to do.
How long is an episode, and can I choose?
Yes. Choose any length from 30 to 150 seconds when you create the channel. Video is billed by the second, so a longer episode is a bigger bill; shorter days can stay short instead of being padded.
What does one episode cost?
About 151 credits for a 150-second episode. Standard's 1,200 credits a month is 7 episodes, Pro's 3,000 is 19. Everything before the render — the plan, the screenplay, the shot list — costs nothing, so you read the whole episode before paying for a frame of it.
Will she look like every other AI woman on the internet?
Ask any model for “a beautiful girl” and it returns its own average, which is why so much of this looks identical. The form asks for one named quality instead — cool and unbothered, sweet and open, quietly severe — and builds the face to serve that. The nine presets exist partly so the range is visible before you commit: two of them are men, and no two share a look.
Can she give advice, or say she is qualified?
She can hold an opinion; she can never claim a licence. Someone who is not a doctor does not diagnose and someone who is not an advisor does not tell you what to buy — that is enforced where the episodes are written, not left to you to remember. It is the rule that keeps a persona channel from becoming a liability.
Do I have to appear, or record anything?
No. The face and the voice are both generated; nothing about this needs a camera or a microphone. New accounts start with 10 credits, which is enough to plan an episode and start on the art before deciding whether to render it.
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